Believe me, Miss Buckridge, this decision is no reflection on your ability as an actress. She then announced to everyone that she was considering silicon breast implants to help get more customers "I know they're too little, especially for dancing topless I was following everything inside her. Answers Relevance. Ah, Pardon good Mercutio, my business was great, and in such case as mine a man may strain courtesy I shall forget, to have thee still stand there, remembering how I love thy company.
As a result of the lax restrictions on the film, a female full-frontal scene in the British film If This British coming-of-age social drama from Lindsay Anderson was one of the first films to mix color and black-and-white footage in an impressionistic way. It was notorious and controversial for its frontal male nudity in a shower scene excised by censors , female nudity, sex, violence and homosexuality.
Considered a precursor of Stanley Kubrick's A Clockwork Orange , UK , it was was originally X-rated but subsequently edited and re-rated as R and most noted for its controversial finale - a violent, vengeful bloody revolt, uprising and shoot-out from the roof of the school building at a conformist British public school a symbolic microcosm of a repressive Establishment-oriented society during Speech Day.
The rebellion was led by anti-authoritarian student anarchist Mick Travis Malcolm McDowell in his debut film role , who was accompanied by his girlfriend - earlier, he had vengefully and fatalistically said with his two buddies - as they took an oath during a blood-brother ceremony: During a slow-motion, black and white homoerotic gymnastic scene with great sexual tension, Mick's roommate Wallace Richard Warwick flirtatiously and seductively grabbed the horizontal high bar and performed graceful rotational moves, at the same time that he knew that younger Bobby Philips Rupert Webster , one of the 'prettier' boys standing on the balcony above, was pulling a sweater over his head, and watching him.
Later in the film was a view of the two males peacefully sleeping in the same bed together. In another scene, Mick and friend Wallace went joyriding on a stolen motorcycle during a truant day from school. In the Packhorse Cafe coffee-shop, Mick rudely flirted with an unnamed waitress, the Girl Christine Noonan , and she slapped him across the face for stealing a kiss.
In a fantasy sequence, she came up behind him at the jukebox and animalistically taunted him: I'll kill you. Look at my eyes. Sometimes I stand in front of the mirror and my eyes get bigger and bigger. I'm like a tiger. I like tigers. He contemplated kissing her, but was fearful of getting too close, during their ritualistic mating using the metaphor of two tigers ; their love-making was accompanied by growls, sniffs, clawing, swipes, hissing, and biting - suddenly, they appeared totally naked as they rolled around and wrestled each other on the floor.
In another scene, reportedly the first instance of a full-frontal female nude passed by the British Board of Film Classification, the meek young wife of the House Master Mrs. Kemp Mary MacLeod wandered down a hallway stark naked seen in long-shot , and entered the empty washroom area where she was seen naked from a side-view.
She fondled and caressed soap, towels and other objects the boys had carelessly strewn about. In exchange for allowing the stark female nudity, the male frontal nudity in the shower scene was excised. The bloody finale consisted of an armed shoot-out and revolt by rebellious students. During the anarchistic attack with machine guns and bombs, Mick was joined by other boys and the coffee-house Girl, who coldly shot the Headmaster Peter Jeffrey between the eyes while he pleaded: Listen to reason and trust me, trust me!
Inga , Sw. Director Joseph Sarno's daring, X-rated soft-core film and box-office smash for the late 60s was a pretentious foreign film art-house import that was a milestone in erotic cinema, although most of its sexuality was implied through facial expressions and cut-aways to off-screen. It was a sexual coming-of-age, soap opera tale that starred beautiful ex-ballerina and star Marie Liljedahl in her film debut as an orphaned, nubile 17 year-old virgin named Inga Frilund.
The film told how the orphaned teenager was forced to live with her scheming 36 year-old Aunt Greta Johansson Monica Strommerstedt in Stockholm - and eventually stole away her expensive, live-in young lover Karl Nistad Casten Lassen for her own love-making. Its scenes of nudity, masturbation, and intercourse are considered tame today.
Liljedahl also starred in the erotic drama Ann and Eve , Swe. Ange Maria Rohm. Due to the successful exploitation of the sex star, a color Inga sequel was made by Sarno, The Seduction of Inga aka Inga 2 , and released in the US in Soon after, Liljedahl retired from making films. Another young Swedish actress, buxom Christina Lindberg made her film debut in a similar film, titled Maid in Sweden , Swe.
Director Robert Aldrich's milestone 'lesbian' film - a groundbreaking and sensational melodrama, was noted as the first X-rated film by a respected director and actors, and the first film to openly depict a lesbian love scene in a mainstream feature film. Before this film's release, the German Maedchen in Uniform was the only lesbian film seen publicly in America, although it wasn't released in the US until This black comedy was subsequently banned, but re-rated a few years later as "R," like most X-rated films in the late 60s.
Their butch-femme and the master-slave relationship was depicted during a repugnant scene in which George forced Childie to eat the butt of her cigar. Childie was compelled to recite: I eat the butt of your cigar. Stop it! The main conflict emerged when George was being eased out of her occupation because of her scandalous, alcoholic-fueled personal lifestyle.
Mercy arrived at the gay bar where Childie and June were dressed as Laurel and Hardy for a costume ball.
The two performed a dance-skit tribute in front of an all-girl band and large audience of real clientele. It was a controversial and quite authentic scene filmed in a real-life lesbian bar - the local Gateways Club in London.
Mercy took them aside and announced to June that she was about to lose her job; she coldly told her that her character was being killed off in a week: Believe me, Miss Buckridge, this decision is no reflection on your ability as an actress. You helped to create a character that has become a nationwide favorite. The situation came to a head with the rivalry between June and Mercy.
The predatory Mercy began to take an interest in Alice and made advances toward her. June called Mercy "a mealy mouthed old boot. June was offered a consolation prize by Mrs. Full of little foibles and prejudices"; June reiterated: Coote, I have no intention of playing the part of a cow in any manner, shape or form! Is that absolutely crystal bloody clear? Appearing to be drunk happens to be one of the easier ways of getting through some of life's most embarrassing situations.
You should know that. She's all there. Not exactly untouched, as we might say, by human hands but quite serviceable. The most sensational and controversial scene was the notoriously raw, extended lesbian love-making seduction scene between Alice and Mercy in Alice's apartment bedroom.
Alice was lying on her back next to two of her favorite dolls, Emmeline and Jane. Mercy persisted in touching and caressing Alice's left nipple, first through her blouse, and then after Alice obliged by opening the front of her blouse to expose her breasts.
Mercy then leaned forward and kissed Alice's neck with her nipple still exposed , and moved down to her left nipple to kiss it and the rest of Alice's bare chest. It appeared that Alice experienced an earth-shattering orgasm, then they fervently kissed each other. Soon after, an enraged June's discovered both of them in a mutually-seductive position - and cried out: Did it have to be here?
What will your precious employers say when they find you had me sacked, so that you would creep into bed with my With someone I You stupid woman. I didn't have you sacked. If you'd taken the trouble to read the confidential material that you stole from my briefcase, you'd know that you were dismissed because you're a fat, boring actress.
And people are sick to death of you. June was devastated by the impending loss of Alice, and implored her to stay: What's gonna happen? Do you think you can live with her? I mean, you know, together, like we've been? We can't just throw everything away because you Don't go, Childie" As Alice was about to leave, June impulsively slapped her across the face: June tore into Mercy for judging her and for seducing the younger Alice: Look at yourself, you pathetic old dyke.
You don't seriously imagine you're any young girl's dream of bliss. Do you? June refused to let Childie walk out on her, and couldn't hold back when Mercy called Childie a "poor child" - she divulged all of Childie's sordid past: But have a look at her.
Have a close look at her. You know she's not a baby. But I'll tell you something you don't know That so-called child you've got there is a woman. She's She's damn near old enough to be a grandmother. Oh yes, you've got yourself a prize packet here, and no mistake. She had an illegitimate child when she was She's got an abandoned daughter who's almost old enough to be of interest to you, Mercy, dear You two are going to be very happy together.
Very happy. Childie left with Mercy, never to return. In the heartbreaking and tragic conclusion on the deserted set, she destroyed the darkened BBC-TV set including her own fake bloody coffin that she criticized: She wailed or moaned out three cow "Moos" -. The camera moved away with each successive utterance - she was practicing for her next job as a voice artist for a cow named Clarabelle Cow.
The Franco Zeffirelli-directed Shakespearean adaptation Romeo and Juliet appealed to the youthful, counter-cultural generation of the late 60s with its realism, the passion of the lovers, the brief nudity of the couple on their wedding night morning , and its contemporary feel. Filmed on location in Italy, it was the most commercially successful Shakespeare film and its most entertaining, refreshing and natural rendition - a passionate celebration of young love.
It featured the unequivocal sexuality of young teens and star-crossed lovers: The two spent one honeymoon night together in the nude in this updated version. There were a few long-held shots of Leonard Whiting's nakedness as he lay in bed with Juliet and then stood by a sunlit window, and a split-second scene of topless Juliet hastily rolling out of her shared bed.
Polish director Roman Polanski's definitive first American feature film Rosemary's Baby , his second, scary horror film told about a young newlywed couple who moved into a large, rambling old apartment building in Central Park West, and began a loving, post-honeymoon period.
Undressed, shivering and naked, and then abruptly wearing a bathing suit, various images assaulted her: She was surrounded by many chanting, overweight, elderly naked figures of the Satanists' coven , including Guy and neighbors Roman Sidney Blackmer and Minnie Ruth Gordon Castevet. A bloody-red liquid was painted with rune designs on Rosemary's bare chest.
A person resembling Mrs. John F. Kennedy Patricia Ann Conway who wore a white diaphanous gown descended a staircase and suggested tying her legs down in case of convulsions. Attendants spread her legs apart and bound them. In her dream-like sleep, Guy began making love to her, but then his appearance changed into a grotesque beast-like figure resembling the Devil, with yellowish eyes and clawed, scaly hands.
He stroked the length of her body with his hairy claw. While being 'raped' during this horrific ritualistic copulation scene, as everyone watched her having intercourse with the Beast, she realized: After a nightmarish dream of making love to a Beast, the paranoid, haunted, and hysterical bride believed herself impregnated so that her baby could be used in evil cult rituals.
The next morning, Rosemary questioned mysterious scratches she found on the side of her body. She was appalled that Guy admitted making love to her while she was passed out - supposedly from mixing alcohol - "It was kind of fun in a necrophile sort of way. Whatsa matter? Last night wasn't the only split-second.
Director John Flynn's controversial, R-rated, sexually-frank and socially-relevant debut film provided an insightful view of repressed homosexuality, in an era when intolerant views were rampant. It was set on a US military base a petroleum supply depot in rural post-war France in , where strict Master Sergeant Albert Callan Rod Steiger was in charge of the camp. The self-despising, predatory closeted homosexual Sergeant Callan with "just one weakness, just one" as the trailer put it became attracted almost subconsciously to one of the recruits - handsome young heterosexual PFC Tom Swanson John Phillip Law.
To keep him close, the self-loathing and tormented Sergeant made Swanson his private orderly room clerk, and jealously refused him passes to date his French girlfriend Solange Ludmila Mikael. He also was insulting to Swanson about his relationship: At one point, half-drunk in a public bar, the Sergeant came up to Swanson, begging: I need you.
You're everything that counts. You're mine. I've been through hell, Swanny, and I'm not gonna go through it again. Now you listen to me. My life were better ended by their hate, than death prorogued, wanting of thy love. She first asks if he will swear that he loves her. Fearing that she was too forward and "too quickly won," she promises to deny her strong, profuse feelings of love so that he may woo her more formally.
She admits that she should have been more restrained about confiding her "true love's passion" but her love is innocent and true. Romeo swears his love for her by the moon, but Juliet doesn't want a variable love characterized by the changing phases of the "circled orb. Dost thou love me? I know thou wilt say 'Ay,' and I will take thy word; yet if thou swearest, thou mayst prove false; at lovers' perjuries they say Jove laughs.
O gentle Romeo, if thou dost love, pronounce it faithfully. He climbs a tree next to her balcony Or if thou thinkest I am too quickly won, I'll frown and be perverse, and say thee nay, so thou wilt woo, but else not for the world. In truth, fair Montague, I am too fond. He jumps and hangs onto her balcony And therefore thou mayst think my behavior light.
But trust me gentleman, I'll prove more true than those that have more cunning to be strange. I should have been more strange, I must confess, but that thou overheard'st, ere I was ware, my true love's passion; therefore pardon me, and not impute this yielding to light love, which the dark night hath so discovered. Lady, by yonder blessed moon, I swear.
Oh, swear not by the moon. Th' inconstant moon, that monthly changes in her circled orb, lest that thy love prove likewise variable. What shall I swear by? Do not swear at all. Or, if thou wilt, swear by thy gracious self, which is the god of my idolatry, and I'll believe thee. If my heart's dear love, I swear, oh, Juliet.
They hug and kiss passionately. Juliet wishes to say good night, so that the bud of their blossoming love will have time to bloom and grow into a "beauteous flower," but Romeo wishes for her to remain a bit longer so they can exchange love vows. However, she pleads that she has already given her vows from her boundless bounty: Sweet, good night.
This bud of love by summer's ripening breath may prove a beauteous flower when next we meet. She kisses him goodnight Good night, good night. As sweet repose and rest come to thy heart as that within my breast. O, wilt thou leave me so unsatisfied? What satisfaction canst thou have tonight?
Th' exchange of thy love's faithful vow for mine. I gave thee mine before thou didst request it. And yet I would it were to give again. Wouldst thou withdraw it? For what purpose, love? They join hands Juliet: But to be frank and give it thee again They rush into each other's arms and hug and yet I wish but for the thing I have, my bounty is as boundless as the sea, my love as deep.
The more I give to thee, the more I have, for both are infinite. When the Nurse calls for Juliet, she can't bear to leave him, so she asks for him to "stay but a little, I will come again. I am afeard, being in night, all this is but a dream, too flattering-sweet to be substantial. If he is not interested in marriage, he should leave her alone: If that thy bent of love be honorable Where and what time thou wilt perform the rite, and all my fortunes at thy foot I'll lay and follow thee my lord throughout the world But if thou meanest not well, I do beseech thee Tomorrow will I send.
She bids him goodnight: He drops from the tree. She stops again, and asks what time she should send her messenger: Romeo laughs at her forgetfulness. They both cannot bear to part and linger together for a few remaining moments: Let me stand here till thou remember it. I shall forget, to have thee still stand there, remembering how I love thy company.
And I'll still stay, to have thee still forget, forgetting any other home but this. He climbs the tree one more time to kiss her. They are still kissing as the early morning dawns and the cock crows. He slips down from the balcony - they extend their hands out to each other. Good night, good night! Parting is such sweet sorrow that I shall say goodnight till it be morrow.
The priest, an herbalist, is gathering herbs in the early morning hours, and is surprised to see the high-spirited youth so early after a sleepless night: Therefore thy earliness doth me assure thou art uproused with some distemperature. They may be healed by their immediate marriage: I have been feasting with mine enemy, where on a sudden one hath wounded me As mine on hers, so hers is set on mine, and all combined, save what thou must combine by holy marriage.
When, and where, and how we met, we woo'd, and made exchange of vow, I'll tell thee as we pass. But this I pray, that thou consent to marry us today. The priest chides the elated, "young waverer" Romeo for his sudden change of love object, after seeing the boy cry salty tears for Rosaline just the other day. And art thou changed? Friar Laurence: For this alliance may so happy prove to turn your households' rancor to pure love.
O, let us hence! I stand on sudden haste. Wisely and slow, they stumble that run fast. On a balcony, Mercutio and Benvolio wonder about the whereabouts of Romeo since he hasn't been home. As a result of Romeo's unwelcome appearance at the Capulet party, Tybalt has challenged Romeo through "a letter to his father's house" to a duel.
Benvolio believes Romeo "will answer it" - with both a letter and a counter-dare: That afternoon, Juliet's first cousin Tybalt , furious that Romeo had attended his family's ball, insults him and challenges him to a brawl. Romeo regards Tybalt as family and he refuses to fight him, which leads Romeo's best friend, Mercutio , to fight Tybalt instead.
Despite Romeo's efforts to stop the fight, Tybalt badly wounds Mercutio, who curses both the Montague and Capulet houses before dying. Enraged over his friend's death, Romeo retaliates by fighting Tybalt and killing him. Romeo is subsequently punished by the Prince with banishment from Verona, with the threat of death if he ever returns.
Romeo, however, sees his banishment as worse than the death penalty, as Verona is the only home he has known and he does not want to be separated from Juliet. Friar Laurence eventually convinces Romeo that he is very lucky and that he should be more thankful for what he has. Romeo then secretly spends his wedding night together with Juliet and the couple consummate their marriage before Romeo flees.
Juliet's father and mother, unaware of their daughter's secret marriage, have arranged for Juliet to marry wealthy Count Paris. Juliet pleads with her parents to postpone the marriage, but they refuse and threaten to disown her. Juliet seeks out Friar Laurence for help, hoping to escape her arranged marriage to Paris and remain faithful to Romeo.
At Friar Laurence's behest, she reconciles with her parents and agrees to their wishes. On the night before the wedding, Juliet consumes a potion prepared by Friar Laurence intended to make her appear dead for forty-two hours. Friar Laurence plans to inform Romeo of the hoax so that Romeo can meet Juliet after her burial and escape with her when she recovers from her swoon, so he sends Friar John to give Romeo a letter describing the plan.
However, when Balthasar, Romeo's servant, sees Juliet being buried under the impression that she is dead, he goes to tell Romeo and reaches him before Friar John. In despair, Romeo goes to Juliet's tomb and kills himself by drinking poison. Soon afterwards, Friar Laurence arrives as Juliet awakens.
Despite his attempts to persuade her to flee from the crypt, Juliet refuses to leave Romeo, and once the Friar flees, kills herself by piercing her abdomen with his dagger. Later, the two families attend their joint funeral and are chastised by the Prince. Although Zeffirelli does not mention it in his autobiography, McCartney provided plenty of details on this account including meeting with Olivia Hussey and exchanging telegrams with her in his co-written autobiography.
The director engaged in a worldwide search for unknown teenage actors to play the parts of the two lovers. Leonard Whiting was 17 at the time, and Olivia Hussey was 16, and Zeffirelli adapted the play in such a way as to play to their strengths and hide their weaknesses: Laurence Olivier's involvement in the production was by happenstance.
He asked Zeffirelli if there was anything he could do, and was given the Prologue to read, then ended up dubbing the voice of Lord Montague as well as other assorted roles. Set in a 14th century Renaissance Italy in varying locations:
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- Despite Romeo's efforts to stop the fight, Tybalt badly wounds Mercutio, who curses both the Montague and Capulet houses before dying.
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- In truth, fair Montague, I am too fond.
Season 8. I like tigers.