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It was staring at her tummy with my show big gay hairy ass was that lauren found. The Hero succeeds in stopping the Big Bad once and for all, although he sacrificed himself in the process. Random Guy it's his name, really is immensely attracted to Jayden from Jayden and Crusader when Jayden is talking about Futurama in a geeky fashion on this page This one from Ardra while her brother and his girlfriend are visiting. The Grand Finale of Stephen King 's magnum opus The Dark Tower series is infamous for ending with an Anticlimax Boss confrontation with the King Multiverse's Big Bad who turns out to be a pathetic, powerless loony , followed by the protagonist walking through a door that turns out to be a big Reset Button that boots him back to the first scene of the series, with the implication that this has already happened many times before and that hopefully he'll eventually get it "right". The incubator offers a paid, eight-month residency program to a group of eight writers who have each previously been staffed on series and want to create their own drama series for cable and streaming. Melissa James Gibson and Frank Pugliese serve as co-showrunners on the fifth season of the Beltway drama, replacing Beau Willimon, who stepped down from the series after running it for the first four seasons. You know.

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But they're not telling. There are no death rays, no flying cars. Guns shoot bullets. Cars drive on the ground. Travel from one world to the other — entirely on official business — involves inoculations, visas and stone-faced border agents. Apart from a dark passageway and some barred doors, it resembles going through airport customs, only less annoying.

Seen from Our Howard's perspective, it's something out of the Alfred Hitchcock playbook -- an ordinary man caught up in extraordinary circumstances. You do have to pay attention. Espionage narratives often involve questions of identity, of course, with players pretending to be someone they're not — and forgetting who they are.

But "Counterpart" multiplies the possibilities: These folks can pretend to be someone they actually are. Ideas about nature and nurture are therefore inevitably batted about, such as what makes a person the person they are. One little thing gone wrong. Some elements don't bear too much inspection. The depiction of the other Berlin, though distinguished by having twisty glass buildings digitally dropped in, is drab and depressed and depopulated in a way that seems more designed to prop up a metaphor than fully imagine a world.

They only have flip phones on the other side, which suffered a pandemic our world did not experience, but the oceans are cleaner. One welcome aspect of the series is that it puts older performers at its center. Age is part of the story — Howard needs to be old enough to have a shared memory with his other self, and to have grown into a different person, and Simmons, 62, does well playing both the soft-edged salaryman and the sleek secret agent, making them easy to tell apart without resorting to caricature.

But it is also pleasant on its own terms to see Simmons, a fine actor and Oscar winner "Whiplash" who rarely gets such parts, as the leading man — leading men, and to watch him work with Williams who is They have a soulfulness and authority that only comes from having lived a little. See the full article at latimes.

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Every so often a new show comes around offering a confluence of so many strong elements that it instantly becomes a must-watch.

A stylish espionage thriller with a sci-fi slant, the series blends genres into an exquisite concoction that is both fascinatingly original and comfortingly familiar at the same time. The story ticks all of the requisite genre boxes of popular television today without being yet another comic book adaptation.

Howard is literally pulled into the plot by his superiors, and introduced to what seems like a fantasy version of himself. Strong, confident, capable, the other Howard Silk is everything his meeker counterpart thinks he wants to be; he is the living embodiment of all the paths not taken. And for a man so taken with questioning certain life choices at the moment, this wrinkle is deeply distressing to say the least.

That alone should be enough to make even the most cynical TV watcher curious about this new series. Dual roles are a tricky thing. But both actors were playing siblings; two people with distinctly different personalities who just happened to look exactly like one another. Counterpart, on the other hand, is the story of two versions of the same man, and Simmons delivers a pair of performances that are equally engaging yet entirely distinct from one another.

The first Howard Silk we meet is a mild-mannered everyman who happens to have a job requiring the utmost secrecy. They share the same memories of childhood, which means their paths ran parallel up to a certain point. The tendency to describe a new film or TV series by mashing up two disparate products can sometimes leave you scratching your head.

For one thing, explaining the show to someone who knows nothing about it would take 20 minutes. Read the full article at screenrant. Counterpart, the compelling new Starz drama that's mostly an old-school espionage thriller with a little bit of sci-fi tossed in and, we shall see, maybe an existential exploration of identity, is a hodgepodge of interesting ideas that drag you forward into the confusing narrative, with one central and undeniable hook: It's no mystery that the omnipresent Simmons is a pretty incredible actor, from his Oscar-winning work in Whiplash to, yes, his heavy-rotation Farmers Insurance commercials, but the ease with which he pulls off a dual role in Counterpart is truly skillful.

It keeps you captivated, even if you wonder how long, if ever, the series will operate in a state of purposeful obfuscation. Simmons plays Howard Silk, a low-level drone in a highly secretive "United Nations spy agency" based in Berlin. How secretive? Howard has worked there for 29 years, carrying out a series of highly orchestrated but mundane tasks that are either meant to decode something important or look that way.

Howard says, more than once, that he doesn't really know what the division of his company, known as the Office of Interchange, really does. Turns out — and the explanation for this early on is, at best, murky — the East Germans accidentally stumbled on a parallel universe about 30 years ago. There are identical people on both sides, with shared histories at least early histories that then diverge as those identical people become vastly different, theoretically, as the parallel universes move apart.

And this is where Simmons becomes exceptional, and essential to the series' success. His meek Howard Silk has a counterpart, hence the name of the show, on the other side: Howard Prime, who is essentially a spy and assassin, light-years more badass than the silken Howard an early and amusing running joke is how disappointed Howard Prime is in Howard Silk, for working 29 years at a place and never advancing.

Simmons plays the dual roles beautifully. Simmons changes his posture, tone, facial expressions, his walk and even what appears to be his breathing to differentiate the milquetoast Howard from bad-ass Howard. Every element of each portrayal is convincing. Credit series creator, writer and executive producer Justin Marks The Jungle Book for crafting a surprisingly intriguing genre mashup that explores identity as much as the spy game and, for that matter, parallel universes.

Morten Tyldum The Imitation Game directs the pilot and sets the template dark, stylish, German that gives Counterpart a strong cinematic feel. Dense but absorbing, Counterpart is filled with both twists and slow reveals, urging you into commitment. Any time there's a hesitation, there's Simmons, whose outstanding work won't let you pull away, giving Starz and creator Marks a series that could stand out in the TV jungle.

Read the full article at HollywoodReporter. One of the best, most intriguing, gripping and well-made dramas of the new year starts this weekend. And it features what is, even this early in , one of the truly outstanding performances. Counterpart Sunday, The Movie Network, 8 p. ET and on-demand on CraveTV is an old-fashioned espionage thriller taken to a warped new level.

The espionage is fuzzy at first but this is emphatically a character-driven show. It's also sci-fi in a way — double versions of its characters in two worlds, parallel existences that have small but significant differences. The series opens in Berlin with mayhem. A dead body, a dangerous woman and talk of "getting to the other side. Simmons , who works for a secretive United Nations outfit in Berlin.

He's not even sure what it is they do. Maybe it's cracking codes and deciphering intelligence reports. But he's been doing the same job methodically for almost 30 years and is not about to ask questions. He would like a promotion, though — something different from the closed cubicle he enters every day. On one of those ordinary days, he is summoned to meet one of the bosses.

In a scene admirable for its economy, Howard meets his doppelganger — a man who comes to be known as Other Howard. The boss explains to him that decades ago, during the Cold War, the East Germans conducted an experiment, there was an "accident" and, somehow, "a world identical to ours" was created.

It still exists. Same people, with the same lives and traits, but there are some differences. What's going on, at the concept level, is a playful iteration of the Cold War itself — the "other side" might be East Berlin and in East Berlin "the other side" might be the West. Other Howard isn't baffled at all. He's on a mission.

An assassin — a woman — has been sent over from the other side to kill somebody on Howard's side. He knows about this stuff. He's not a bland bureaucrat like Howard. He's aggressive, a man of action. Some weight, but not gravitas, is given to the philosophical issues. What events or experiences fundamentally change people? If these characters on the two sides are duplicates, what makes some evolve differently?

The assassin, Baldwin Sara Serraiocco , is an efficient, cold-blooded killer on one side. Her double is a violinist, not given to violence at all. So, what is it that can give people such separate moral compasses when they are supposed to be the same? In the opening episode there's a great scene in which Howard, having witnessed another version of himself, demands that promotion.

Simmons owns the show. It is a fabulous piece of acting — he uses small, tiny tics of behaviour and body movement to indicate he's not Howard, he's Other Howard. It's wonderful to watch, this tour-de-force of duplication. Counterpart is very highly recommended — it's beautifully made, smart and deftly crafted to unleash surprises and twists.

Addictive and admirable from the get-go. See the full article at theglobeandmail. Simmons is an actor with extraordinary range. He's played a mean band teacher in Whiplash, Spider-Man's boss in the Sam Raimi Marvel films, and a gentle patriarch in several family sitcoms. The man can do good guy and bad guy with ease, making him one of the industry's most formidable multi-dimensional actors working today.

But his latest project, Starz's Counterpart, sees him going truly multi-dimensional. Simmons plays a man named Howard Silk — I take that back. Simmons plays two men named Howard Silk, the same person from different universes, in the engaging science-fiction spy thriller that'll leave your head swelling with thoughts.

One Howard is your typical corporate schlub who does his job like a good worker bee with no questions asked. The other Howard is a high-level inter-dimensional spy, brimming with confidence and attitude and some sweet leather jackets. Naturally, the two can't believe the other turned out how they did. This is the crux of Counterpart, the question of how small decisions could make huge impacts on our lives visualized through characters who split apart into two copies about three decades ago.

Is kind, meek Howard from our universe the optimal Howard? Or is the icy spy Howard the most realized version of Howard Silk there can be? It's like Sliding Doors but with way more shootouts. It's like Breaking Bad fan fiction where early Walter White becomes roommates with end-of-series Heisenberg. It's Seasons 3 and 4 of Fringe, the TV show.

And it is, from the handful of episodes that Starz sent to press, a total blast to watch. The brief spoiler-free download on Counterpart is that Howard 1 finds his mind blown — the multiple dimensions aren't public knowledge — when he's roped into a murder investigation by Howard 2; the very sight of watching Simmons meet himself and vice versa is worth giving the first episode a gander.

The two form a kinship while the bureaucracy of keeping the two dimensions unaware of each other intervenes, leaving doubts about who to trust and questions of every character's self interest. From there, story unspools briskly, the world is built like puzzle pieces falling into place and side characters get meaty twists as Counterpart frolics in its dual-world set up.

Simmons is worth the price of admission, but it's the complex story, themes of identity and potential of the series that makes it seem like a steal. The story is held up by Cold War sentiments — aided by the show being set in Berlin — with each world using spies, assassins and possibly biological warfare against the other for reasons unknown other than the fact that you too would have a hard time trusting a person who looked just like you.

But it can get worse for others. Imagine you're Howard 1 and you see the facsimile of your wife Olivia Williams , who's in a coma in your world but conscious and well in the other world That should give you an idea of the paranoia that Counterpart thrives on.

See the full article at TVGuide. They belong to the actor J. Simmons, whose double-barreled performance makes the show the most entertaining new series of the winter. The setting is Berlin, where a Cold War experiment gone awry made an exact copy of our world, reachable through a passage in the basement of a government office building. We, along with the meeker of the two Howards, learn about this in the first episode; six of 10 episodes were available for review.

Privy to it are the senior members of the large, somewhat bumbling bidimensional bureaucracy that manages the portal, who are allowed to pass between worlds using visas measured in hours. The two Howards are part of that apparatus, the meek Howard a paper-shuffler in the original world and the macho Howard a covert agent for the splinter world.

They meet — an almost unheard-of occurrence — when the macho Howard follows a criminal who manages to cross between worlds and needs to pose as the meek Howard to catch her. They also drive home Mr. More centrally, the show is an argument about nature versus nurture, in both geopolitical and personal terms. Will the two worlds, and the two Howards, in their separation, inevitably become nothing like each other?

Or will their basic natures prove to be stronger? Through six episodes, Mr. See the full article at NYTimes. It avoids many of the traps of the Prestige Drama category: Simmons and Olivia Williams, among others. Like his fellow pencil pushers, he goes into a cubicle to exchange pre-determined messages with a man on the other side of a glass in a similar cubicle.

What are these men doing? What are the messages for? This copy of the reality inhabited by Howard and everyone he knows split off a few decades back for reasons no one understands, and only a few elites on both sides are aware of its existence. But after a few decades of peace, the two realities have diverged politically and socially, and a cold war has broken out.

As the story gains steam, Howard and his much tougher doppelganger from the other side become increasingly involved in the complicated conflict. The central conflict between the worlds drives much of the narrative, but the exact nature and cause of the conflict remain a little too vague for much of the first season.

See the full article at Variety. Over a career spanning more than 30 years, J. Simmons has become one of the most recognized supporting actors in show business, playing dozens of gruff or kindly men. Simmons is Howard Silk, an unassuming, low-level employee in the bureaucracy overseeing the portal.

In a scene consisting of Mr. Simmons talking to Mr. Simmons, intense Howard says to mild Howard: The actor chuckled about that line during a recent interview, given its resonance with his own life. Born in the Detroit area, Mr. Simmons entered the entertainment world through musical theater, first at the University of Montana, then in Seattle and New York.

Simmons has been a familiar face in multiple genres. He played the cigar-chomping newspaperman J. Simmons has voiced the yellow candy since Read the full interview on WSJ. Meet Howard Silk. Howard Simmons is a devotee: Beyond his devotion to both company and companion, Howard is a man of routine. He gets up and goes to work, always arriving early, not late. He plays the board game Go with his friend Andre every Tuesday and Thursday.

Andre is his only real friend, and Howard only met him because his routine changed. Recently, Emily was hit by a car when she was crossing the street. The rest sit next to his wife, as he reads to her until visiting hours end. And he was once married to Emily, but things have changed there, too. The tightly scripted pilot excavates plenty of world-building in a fun and fast first hour, helping to clarify where this takes place a United Nations agency in Berlin , when the not-too-distant future , and how these dual universes came to be nope, not giving this one away.

It connects pieces that were subtly tossed out earlier just as it answers big questions it put a pin in during early hours. Twists demand you keep up or risk being spoiled , and everything happening onscreen makes such appointment viewing worthwhile.

It would be one thing if the Oscar-winning character actor was playing the same guy twice over, and one Howard just had a hat and an accent; or if he was playing one Howard as a version of himself and then putting everything new or different into the Other Howard.

Simmons gives O. Other Howard is straight-backed, confident, and curt. Distinguishing between the two is never a problem, even sans props like a hat , and much of that credit goes to Simmons. Simmons is the living embodiment of this debate: Are the two Howards really the same guy deep down, or did their differing circumstances fundamentally change who they are?

Without spoiling too much of the illuminating premiere, the two Howards started as the same person and then went on different paths. That choice allows the series to explore themes of inherited vs. There are many directions the story could go, including plenty of ways for the whole show to go off the rails. But there are more than enough carefully planned connections and well-calculated twists to inspire security in this tantalizing tale.

Instinctively, two J. Simmons has always sounded better than one, just like one million Oprahs is one million times better than one. See the full article at Indiewire. Oscar winner J. Simmons takes a break from doing Farmers Insurance commercials to sink his teeth into this excellent new science fiction thriller from Starz, premiering on January 21st.

Simmons plays Howard Silk, a cog in the wheel of a U. After 30 years of doing the same old thing, Howard is desperate for something new and interesting to come along. And boy does he get his wish. Apparently, there was a Cold War experiment that opened a doorway to another identical dimension and only a select group of people are aware it exists.

This is where Counterpart gets interesting. The show uses the MacGuffin of a parallel dimension to do a deep dive into what makes an individual unique. His performance is mesmerizing, as he expertly creates two unique characters. On the other end of the spectrum, Howard Prime slumps in his chair, fumbles over his words, and lacks the tenacity necessary to do what his alter-ego is able to accomplish with relative ease.

The larger story is captivating as well. It appears that the two worlds are in a disagreement over how to coexist with each other, setting up some potentially reality-breaking conflicts for later in the season. Another intriguing element of the show is Baldwin Sara Serraiocco , a mysterious assassin running around Earth Prime targeting specific people, but no one on either side is sure why.

The show is visually impressive too. There are times when Counterpart intentionally slows its pacing and then suddenly launches into a frenetic shootout featuring some great fight choreography that creates a tense atmosphere. The writers give you just enough information to whet your appetite. It makes me wish the entire season was available now. Watching multiple versions of J. Simmons is never a bad thing.

Mix in a great story with a fantastic supporting cast and you have a recipe for a series brimming with potential. If you end up falling head over heels for the series like I have, rest assured, this is only the beginning of our discussions about Counterpart, since Starz has already ordered a second season. Counterpart premieres Sunday, January 21st, but the pilot is available for early viewing at Starz.

Read the full article at IGN. See the full list of nominees at Variety. The group split its top movie awards among several genres: See the full list of winners at Deadline. Sound editing and sound mixing are two separate categories in the Oscar race, but many laypeople would quickly admit that they don't exactly know the difference.

Sound pros often reach for metaphors, such as cooking, to explain the difference: Sound editing could be likened to preparing the ingredients, and mixing is when everything comes together to prepare the dish. Pros from three films reveal their recipes for awards-contending sound.

For Edgar Wright's bank robbery action film starring Ansel Elgort, the 35 songs featured were as much a part of the story as the main characters. For Slater, "each sound effect had to be vetted to work both musically and cinematically. When it came to the mix, we then had to figure out the right balance of all these sounds so that it felt like a continuous piece of music.

The movie's sound is heard through the perspective of getaway driver Baby Elgort , who constantly listens to music to drown out his tinnitus. Read the full article at Hollywoodreporter. Bette and Joan with four. The show is set to air live at 8 p. PT on Sunday, Jan. See the full list of nominees at Hollywoodreporter. Ever since his stint on those six seasons of Oz, there are more than a few people in the world and I would include myself among them who would you tell you there is almost no such thing as too much JK Simmons.

Like a dealer, Starz is giving you a taste with the opener, directed by The Imitation Game helmer Morten Tyldum, to get you hooked on wanting more. With Whiplash Oscar-winner Simmons ultimately first among equals on the series, it is an appealing addiction indeed, as I say in my video review above. No spoilers, and not all is unveiled even several episodes in, but a percipient, resolute and magnetic tale of what is and what may be is in the offing from the series produced by MRC, Anonymous Content and Gilbert Films.

So, click on my video review for more of my take. Will you be watching the preview this Sunday after Outlander? You should. Read the full review at Deadline. The comedy series category belongs to HBO and Netflix. NBC scored three noms in the episode comedy category. Bette and Joan topped the list with six nominations.

Kumail Nanjiani was among those who collected multiple nominations: He scored three, for best original screenplay alongside wife Emily V. Gordon, and best actor in a comedy, both for The Big Sick, and best supporting actor in a comedy series for Silicon Valley. James Franco was nominated for best actor and best actor in a comedy for The Disaster Artist, and Tiffany Haddish was nominated for best supporting actress and best actress in a comedy for Girls Trip.

Margot Robbie and Saoirse Ronan will compete against each other in two categories — best actress and best actress in a comedy — for their roles in I, Tonya and Lady Bird. Read the full article at Deadline. Jay-Z led the nominations for the 60th Grammy Awards, annouced on Tuesday morning, with eight. Grammy-nominated singer-songwriter Andra Day announced the nominees in the four general field categories: Yet, the streaming giant has managed to keep its ratings under lock and key.

Accurate data remains a mystery to even top-level Hollywood execs outside of the Netflix bubble. The measurement is weighed by importance, which means a stream or download take precedence. As for the Parrot Analytics data, the company shared the top 10 digital originals in the United States over the past 90 days, and Netflix easily dominates the roster. Visit the article at Indiewire.

Like the first, the second season will consist of 10 episodes. Without warning, Marty relocates the family from the suburbs of Chicago to a summer resort community in the Missouri Ozarks after a money laundering scheme puts him in the crosshairs of a Mexican drug lord. Bateman directed multiple episodes in addition to serving as an executive producer.

Chris Mundy executive produced and wrote for the series. Bill Dubuque and Mark Williams created the series and also executive produce. Read the full article of Variety. Covenant, The Mummy, Transformers: The Last Knight, etc. Sony has been great about putting its below the line contenders out there during awards season, and Baby Driver should be in the mix.

Sony is currently planning to take the movie wide again during the weekend of Aug. Damon Wolf, the head of creative advertising for TriStar, led the charge on creating the high octane, retro-style promos for the film with colorful vintage design posters and award-winning million-plus-view trailers Best Action Trailer at Golden Trailer Awards.

He hatched the feature from an idea he formulated years ago. Read Full Article At Deadline. Have you heard about Ozark? When his partner is caught cheating the business, Marty uproots his family to move the operation to the scenic Ozark Mountain region of Missouri, where they struggle to fit into this brave new world. But the show is more than standing on its own, with fans praising the writing and direction.

Bateman actually directed four of the 10 season 1 episodes, including the premiere and the finale. Fans are on board for this darker, twistier Bateman, who in recent years has mostly been known for his work on Arrested Development — and some fans enjoy imagining that Marty is really just bizarro Michael Bluth. Fans are expecting Bateman and the show to get at least one if not several award nominations for its writing, acting, and directing.

Read The Full Article on Rottentomatoes. From the first episode to the ending, Season 1 was filled with shocking twists and intense familial strife. Meet Marty Byrde Jason Bateman: A shot that starts with his entire family gathered around the dinner table ends with Marty munching on chips alone.

Also clear: But the best part of that scene is that we catch up to it midway through Episode 2. The premiere is filled with big moments that matter in that very moment. Del Esai Morales suspects his money launderers are skimming money in the process, which we later find out is a bluff. He just presumed, and Bruce fell for it. This lesson is reinforced again when Wendy Laura Linney tries to flee with her fling, Gary a.

Del found out what Wendy was trying to do and dealt with it before Marty had a chance. How he handles Gary — and Wendy — is memorable for all parties: Marty is horrified, but confused. He eventually makes his way back to his car, and the about-face done by Bateman in this scene is just one of many highlights from his performance.

What keeps it from being unbelievable, aside from Bateman, is his breakdown. To end the episode, Marty pulls the van over, walks into the woods, and weeps. Without knowing what this means to him, something further emphasized in Episode 2 when Marty seriously contemplates suicide, viewers may have lost the thread in this onslaught of bad news.

This is a family story. This is a romance. This is unparalleled perseverance; brought on as a result of a bad decision, yes, but motivated by the purest of intentions. Each family member beyond Marty is better developed as new characters are introduced. Wendy, especially, gets a much-needed backstory to keep her from becoming the villain and Marty the hero.

Much of it comes in the later episodes, when we learn about her depression and struggles finding a job after taking a break to care for their children. But Wendy stands up for herself whenever Marty crosses the line. Before we dig into the best hour of the season — Episode 8 — here are a few highlights from the preceding episodes:.

I shit you not. Charlotte stole a boat. She had sex before she was ready. Jonah acquired a dangerous new hobby. These were cause and effect actions presented plainly, rather than drilled into our heads with exposition. Bateman makes for a glorious asshole. He can lash out at Wendy and the locals without the audience resenting him for it. We just wish we could say it as well as Marty does.

Few things in this season provided more joy than when Marty and Ruth plotted to rob the strip club, and if the entire series were to become these two running around the midwest stealing shit, that would be fine with me. That she later tries to kill Marty only makes her more intriguing. There are so many examples of the worst happening, or of the audience being made to think the worst is happening long enough for it to leave a mark.

And for at least five agonizing minutes, it looked like Charlotte was about to drown. Was it a slightly nauseating suspense? But then they went back. Charlotte stirred, and swam to the surface. Following up the catastrophic fight between Marty and Wendy, we learn exactly how and why the couple decided to launder the money for Del in the first place.

For anyone who found the series to be an overly familiar narrative of morally questionable people making bad decisions, time and time again, the open and honest way in which they entered into the fateful agreement stands out as a difference maker.

Wendy and Marty chose — after being casually seduced by Del — to do something illegal. More so, they chose to do something morally wrong by justifying it to themselves as a rational choice. Like she said during the fight in Episode 7, she wanted to be closer to Marty. But more than doing it for Marty, Wendy wanted to succeed at something. She was struggling at home after losing a baby and wrestling with the guilt of not wanting it anyway.

She needed her partner back. She needed hope. They may have agreed to launder the money together, but only Marty saw the consequences of failure. While the episode tells a devastating story that explains why Petty is willing to go to such extremes in his war on drugs, his character still feels a little too off the rails overall.

He drinks. He sleeps around. As for the finale, two things stand out right off the bat: Jason Bateman directed this nearly feature-length episode, making it the fourth overall in Season 1. That he was able to do four is impressive enough, and the dark blue hues of the series lend it a local flavor — and ominous vibe — perfect a story that always feels like its on the edge of a thunderstorm.

The second thing? Darlene Lisa Emery shot first and last, making a quick end to an enemy who felt far too foreboding to simply go away. Comic Books. Yorick being attracted to girls with obscure interests is a bit of a Running Gag in Y: The Last Man. A shining example is when he, upon learning that that a woman named her boat after the ship in Sirens of Titan , instantly proposed to her.

Yorick's sister Hero lampshades this when Beth not that Beth, the other one starts rattling off side notes about the Swiss Guards that kidnapped them both in the name of the Catholic Church. Yup, you're definitely the sort of chick my brother would bone. You're supposed to say: Wow, you out-geeked me there. Well, I'm sure it won't be the last time.

What's wrong with their eyes? They're all Did you just make a Dune reference? Please marry my brother. One of the reasons Denys fell so hard for Karen Blixen in Out of Africa was her ability to tell stories Mikaela in the live-action Transformers films manages to make both Sam and Leo fall for her with her detailed knowledge of cars and engineering.

But then, that pales in comparison to her other assets. In 17 Again , two characters fall madly in love with each other when they discover that the other speaks Elvish. Cue the following exchange: If this case is handled in the same fast-food, slick-ass, Persian Bazaar manner with which you seem to handle everything else, then something's gonna get missed.

And I wouldn't be doing my job if I allowed Dawson and Downey to spend any more time in prison than absolutely necessary because their attorney had predetermined the path of least resistance. I'm sexually aroused , Commander. You know who Superman is? I'm, like, feeling something.

Are you aware of the existence of Garfield? Older Than Feudalism: Little actual historical information is known of legendary Chinese strategist Zhuge Liang's wife Huang, but popular folktales characterize her as a plain-to-unattractive woman who was extremely gifted in astronomy, strategy, and geography.

According to a record written around CE, Zhuge Liang asked for Lady Huang's hand in marriage specifically upon hearing of her great intelligence, and he was particularly impressed by her numerous mechanical inventions. A different version of the story claims that Huang was actually quite beautiful but spread rumors of her own ugliness as a Secret Test of Character for potential suitors.

Zhuge Liang was the one who passed. This can still be considered a Geeky Turn-On since in nearly all tellings of the story, both fall in love when they realize they've met their equal in cleverness. Many Impossible Task stories, such as the variations on the "peasant girl saves her father from the whims of a capricious king by answering his bizarre riddles; he's so impressed that he marries her" theme.

In some versions it even saves the marriage — the king has a case brought before him about the ownership of a colt or whatever and absent-mindedly rules that the man who owned the wagon the colt was born under owns the colt, rather than the man who owns the mare. His wife hears about this and advises the rightful owner to set up a fishnet in the middle of the road when the king rides by, and when asked for an explanation, to say, "It's as easy to catch fish in the middle of the road as it is for a wagon to give birth to a colt.

He wakes up to find himself being trundled down the road in a wheelbarrow; he said she could have anything she wanted, and all she wanted was him. In Irish Mythology , Cu Chulainn and Emer's first meeting was essentially two intelligent supermodels having a conversation so full of riddles that nobody else could understand them. He responds with the second half of the quote, and then: And you're really turning me on with the Monty Python reference, Murph.

She hath, as well, certain designs of an intimate nature upon her husband, for political activity doth ever stir that side of her personality. You were just brilliant Live-Action TV. Agents of S. In "The Singularity", Fitz compares his relationship with Simmons to "the singularity in trans-humanism.

Just to be clear, are you comparing us sleeping together to crossing the event horizon? It's quite lovely when you think about it like that. And also terrifying. Yeah, exactly. So we should stop thinking altogether And just do. That's easy. You could look into seller financing, take over the owner's payments and skip the bank completely, or you could make a play for a preservation grant.

Is anybody else getting warm? Oh my god you look so smart and hot! He then leads her off to his room so he can "take off everything except those glasses That's so cool. You don't even know what that means. No, but I'm really turned on right now. I'm turned on by her brain. I'd like to see her brain totally naked.

That's really disturbing. That's really hot. He was good. His stuff reminds me of early Frank Miller. Which Frank? Epic or Dark Horse? That is the sexiest thing I've ever heard you say. Did you just use the word "veritable" in a sentence? You should hear me say "fallacious". Anything exciting? No win, no fee. God, I love it when you talk dirty. Lyle and Emily: Commence snogging.

That regulates the flow of energy throughout the system. See when stimulated correctly it sends waves and waves of rhythmic pulses Gibbs can't even look at McGee at this point waves, waves that er that hypercrank the er transfer speed, er, that digitised infor- Abby? You like that, don't you? Miranda Cosgrove Most Prized Possesssion Miranda Cosgrove 4.

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From its headquarters in Los Angeles, Valence will establish its long-term growth strategy and look for new business development opportunities. The last three girls simply come together into a hug, sobbing as the credits roll. I could make too. Instead, he remembers picking it up, his past has, in some small way, been changed. Even back then, Marten was a ruthless manipulator who, in a gambit to destroy young Roland, manuevers the hot-headed boy into prematurely taking his gunslinger trials against instructor Cort Andrus. Out of the Shower, Onto Broadway".

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  • Like a dealer, Starz is giving you a taste with the opener, directed by The Imitation Game helmer Morten Tyldum, to get you hooked on wanting more.
  • None of these roles, including the young gunslinger, have been cast yet.
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  • Travel from one world to the other — entirely on official business — involves inoculations, visas and stone-faced border agents.
  • The plot regularly veers into outlandish territory -- starting with Frank having chosen Claire as his running mate -- that, whatever the parallels, shares more with the frothy camp of "Scandal" than reality, even our current one.
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  • Jake's therapist tried to tell him it's a dream, but Jake doesn't believe it.

Star Trek: DarkTowerMovie https: He plays the board game Go with his friend Andre every Tuesday and Thursday.


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